Terminator 2: Judgment Day
Algemene informatie
Volledige titel uitgave
Terminator 2: Judgment Day
Categorie
Nummer in categorie
20
Uitgave maatschappij
RCV Home Video
Catalogusnummer
K4934DVD
Uitgebracht
2001
Regio
2
Aantal media
2
Aantal zijden
1 + 1
Inhoudsjaar
1991
Video
PAL
Beeldverhouding
2.35:1
Anamorf
Ja
Audio
- Engels (DTS 5.1 ES)
- Engels (Dolby Digital 5.1 Surround EX)
- Engels (Dolby Surround)
- Audio commentaar door James Cameron, a.o. (Dolby Surround)
Ondertiteling
- Engels
- Spaans
- Portugees
- Nederlands
Inhoud
- Disc 1
- Terminator 2: Judgment Day (Special edition) (2:26′53″)
- Sensory Control
- THX Audio Tests
- THX Video Tests
- Mission Profiles
- Arnold Schwarzenegger
- Linda Hamilton
- Edward Furlong
- Robert Patrick
- James Cameron (Writer/director)
- William Wisher (Co-screenwriter)
- Adam Greenberg (Director of photography)
- Brad Fiedel (Composer)
- The future is not set (easter egg)
- T-1000 Searching John's Room (1′24″)
- Future Coda - Alternate Ending (1′44″)
- Disc 2
- Information Programs
- "The Making of Terminator 2: Judgement Day" (29′14″)
- "T2: More Than Meets the Eye" (22′02″)
- "The Making of Terminator 2 3D: Breaking the Screen Barrier" (23′09″)
- Visual Campaigns
- Teaser Trailer "Building the Perfect Arnold" (1′21″)
- Theatrical Trailer "This Time There are Two" (1′46″)
- Theatrical Trailer "Same Make, New Mission" (2′04″)
- T2 Special Edition Trailer "More Than Meets the Eye" (2′35″)
- Data Hub
- Source Code (Script)
- Interrogation Surveillance Archives
- Writer/Director James Cameron and co-writer Bill Wisher discuss working together on the script (1′06″)
- Writer/Director James Cameron and co-writer Bill Wisher discuss the writing process (1′43″)
- Writer/Director James Cameron discusses researching for the film (1′12″)
- James Cameron and designer Steve Burg discuss the design challenges of the film (1′20″)
- Effects designer John Bruno discusses the previsualization process (0′39″)
- Casting director Mali Finn discusses the casting of the film (0′46″)
- Mali Finn, James Cameron and actor Edward Furlong on the casting of John Connor (3′03″)
- Mali Finn, James Cameron and actor Robert Patrick on the casting of the T-1000 (1′30″)
- Co-producer Stephanie Austin discusses the logistics of filming "Terminator 2" (0′49″)
- Production designer Joseph Nemec III on approaches to "T2"'s production design (1′02″)
- Robert Patrick, Linda Hamilton and trainer Uzi Gal discuss the weapons and physical training for the film (2′07″)
- Behind-the-scenes montage on one of the costuming challenges of the film (0′51″)
- Makeup effects creator Stan Winston, key makeup artist Jeff Dawn and actor Arnold Schwarzenegger discuss the Terminator makeup work (2′02″)
- Behind-the-scenes montage on the location shooting for the film (1′14″)
- Behind-the-scenes montage on the stage shooting for the film (0′31″)
- Stunt coordinator Joel Kramer discusses stunts and practical effects (1′09″)
- Behind-the-scenes on the shooting of the SWAT van crashing into the Cyberdyne lobby (0′19″)
- Behind-the-scenes on the preparations and shooting of the Cyberdyne explosion (0′16″)
- Behind-the-scenes on the practical effects in creating the look of the steel mill (0′18″)
- Behind-the-scenes on the shooting of the tow truck jump into the flood control channel (0′29″)
- Behind-the-scenes on the shooting of the tanker truck sliding on its side at the steel mill (0′28″)
- Stembridge Gun Rental's weaponsmaster Harry Lu discusses the weaponry of "T2" (1′25″)
- ILM's Steve Williams and visual effects supervisor Dennis Muren discuss building a digital puppet of the T-1000 (0′41″)
- ILM's Mark Dippe, Steve Williams, Jay Riddle and Dennis Muren on animating the T-1000 character (0′53″)
- ILM's Mark Dippe on putting the computer-generated T-1000 character into the scene (0′37″)
- ILM's Steve Williams, Mark Dippe and Dennis Muren discuss doing the computer graphics shots (0′45″)
- ILM's Dennis Muren and Steve Williams on working with writer/director James Cameron (0′27″)
- Terminator effects and makeup creator Stan Winston on creating characters (1′38″)
- Behind-the-scenes on the creation and shooting of the T-1000 shotgun hits (0′30″)
- Behind-the-scenes on the creation and shooting of the T-1000 posing as John's foster mother Janelle Voight (0′31″)
- Behind-the-scenes on the creation and shooting of the burning Sarah puppet for the nuclear nightmare (0′36″)
- Behind-the-scenes on the creation and shooting of the Terminator walking puppet used in the Cyberdyne shootout (0′39″)
- Behind-the-scenes on the creation and shooting of the T-1000 "donut-head" effect (0′26″)
- Behind-the-scenes on the creation and shooting of the T-1000 "cleave-body" effect (0′27″)
- Behind-the-scenes on the creation and shooting of the T-1000 "pretzel-man" effect (0′29″)
- Fantasy II Film Effects VFX supervisor Gene Warren Jr. discusses the Future War sequence (0′51″)
- Fantasy II's Gene Warren Jr. discusses the stop-motion endoskeleton process shot that took three months to complete (1′14″)
- Fantasy II's Gene Warren Jr. discusses the creation and shooting of the miniature tanker truck (0′32″)
- 4-Ward Productions' VFX supervisor Robert Skotak discusses the creation of the nuclear nightmare sequence (0′36″)
- 4-Ward Productions' supervising DP Dennis Skotak discusses the radiating blast shot from the nuclear nightmare sequence (0′32″)
- 4-Ward's Robert and Dennis Skotak discuss the miniature building shots from the nuclear nightmare sequence (1′31″)
- 4-Ward's Robert Skotak on the miniature steel pour created for the steel mill sequence (0′29″)
- 4-Ward's Dennis Skotak on shooting mercury for the reforming of the T-1000 at the steel mill (0′31″)
- James Cameron, effects designer John Bruno and co-producer Stephanie Austin discuss the use of process photography in the film (1′02″)
- James Cameron and film editors Conrad Buff, Mark Goldblatt and Richard Harris discuss the editing of "T2" (1′51″)
- Multi-angle presentation of the dailies from the helicopter acquisition sequence, with subtitles for shooting dates and locations (2′31″)
- The final helicopter acquisition sequence from the film, with subtitles to illustrate shooting dates and locations (1′00″)
- Sound designer Gary Rydstrom on the sound design philosophy for the film (0′25″)
- Multi-audio demonstration of sound effects layering for a single shotgun blast, with Gary Rydstrom commentary on an alternate audio channel (0′39″)
- Sound designer Gary Rydstrom on sound effects editing (0′21″)
- Multi-audio demonstration on the creation of "T2" sound effects, with final film audio on the main track and isolated sound effects on an alternate audio channel (0′51″)
- Multi-audio sound layer demo for the steel mill fight, with ambience, foley, sound effects, music, final mix, and two Gary Rydstrom commentaries on alternate audio channels (1′11″)
- Composer Brad Fiedel discusses the musical scoring of "T2" (1′57″)
- Composer Brad Fiedel and music editor Allen Rosen discuss music mixing for the film (1′12″)
- Demonstration of the video transfer process on "T2" for separate letterbox and full-frame (pan&scan) version from a Super-35 negative (1′01″)
- James Cameron discusses the creation and validity of special editions (0′46″)
- Omitted scene of the T-1000 searching John's room, with commentary by James Cameron and Robert Patrick on an alternate audio channel (1′24″)
- Omitted scene of the original "Future Coda" ending, with commentary by James Cameron, Stephanie Austin, Stan Winston and Linda Hamilton on alternate audio channels (1′45″)
- Brief montage of the "Terminator" fan convention held in Los Angeles just before the release of "T2" in 1991 (0′29″)
- The polyglot Terminator (0′26″)
- Tactical diagrams
- Future War
- Arrivals
- Nightmare #1
- Mall Battle
- Canal Chase
- The Voights
- Hospital
- Nightmare #2
- Dyson's Death
- Helicopter
- Van Chase
- Tanker Chase
- T-1000 Reforms
- Mill Fight
- Two Sarahs
- Molten Pit
- Future Coda
- Data Core
- Core Data Sampling
- Full Implementation
- Information Programs