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Terminator 2: Judgment Day

[Omslag][DVD-Video]

Algemene informatie

Volledige titel uitgave
Terminator 2: Judgment Day
Categorie
Nummer in categorie
20
Uitgave maatschappij
RCV Home Video
Catalogusnummer
K4934DVD
Uitgebracht
2001
Regio
2
Aantal media
2
Aantal zijden
1 + 1
Inhoudsjaar
1991
Video
PAL
Beeldverhouding
2.35:1
Anamorf
Ja
Audio
  • Engels (DTS 5.1 ES)
  • Engels (Dolby Digital 5.1 Surround EX)
  • Engels (Dolby Surround)
  • Audio commentaar door James Cameron, a.o. (Dolby Surround)
Ondertiteling
  • Engels
  • Spaans
  • Portugees
  • Nederlands

Inhoud

  • Disc 1
    • Terminator 2: Judgment Day (Special edition) (2:26′53″)
    • Sensory Control
      • THX Audio Tests
      • THX Video Tests
    • Mission Profiles
      • Arnold Schwarzenegger
      • Linda Hamilton
      • Edward Furlong
      • Robert Patrick
      • James Cameron (Writer/director)
      • William Wisher (Co-screenwriter)
      • Adam Greenberg (Director of photography)
      • Brad Fiedel (Composer)
    • The future is not set (easter egg)
      • T-1000 Searching John's Room (1′24″)
      • Future Coda - Alternate Ending (1′44″)
  • Disc 2
    • Information Programs
      • "The Making of Terminator 2: Judgement Day" (29′14″)
      • "T2: More Than Meets the Eye" (22′02″)
      • "The Making of Terminator 2 3D: Breaking the Screen Barrier" (23′09″)
    • Visual Campaigns
      • Teaser Trailer "Building the Perfect Arnold" (1′21″)
      • Theatrical Trailer "This Time There are Two" (1′46″)
      • Theatrical Trailer "Same Make, New Mission" (2′04″)
      • T2 Special Edition Trailer "More Than Meets the Eye" (2′35″)
    • Data Hub
      • Source Code (Script)
      • Interrogation Surveillance Archives
        • Writer/Director James Cameron and co-writer Bill Wisher discuss working together on the script (1′06″)
        • Writer/Director James Cameron and co-writer Bill Wisher discuss the writing process (1′43″)
        • Writer/Director James Cameron discusses researching for the film (1′12″)
        • James Cameron and designer Steve Burg discuss the design challenges of the film (1′20″)
        • Effects designer John Bruno discusses the previsualization process (0′39″)
        • Casting director Mali Finn discusses the casting of the film (0′46″)
        • Mali Finn, James Cameron and actor Edward Furlong on the casting of John Connor (3′03″)
        • Mali Finn, James Cameron and actor Robert Patrick on the casting of the T-1000 (1′30″)
        • Co-producer Stephanie Austin discusses the logistics of filming "Terminator 2" (0′49″)
        • Production designer Joseph Nemec III on approaches to "T2"'s production design (1′02″)
        • Robert Patrick, Linda Hamilton and trainer Uzi Gal discuss the weapons and physical training for the film (2′07″)
        • Behind-the-scenes montage on one of the costuming challenges of the film (0′51″)
        • Makeup effects creator Stan Winston, key makeup artist Jeff Dawn and actor Arnold Schwarzenegger discuss the Terminator makeup work (2′02″)
        • Behind-the-scenes montage on the location shooting for the film (1′14″)
        • Behind-the-scenes montage on the stage shooting for the film (0′31″)
        • Stunt coordinator Joel Kramer discusses stunts and practical effects (1′09″)
        • Behind-the-scenes on the shooting of the SWAT van crashing into the Cyberdyne lobby (0′19″)
        • Behind-the-scenes on the preparations and shooting of the Cyberdyne explosion (0′16″)
        • Behind-the-scenes on the practical effects in creating the look of the steel mill (0′18″)
        • Behind-the-scenes on the shooting of the tow truck jump into the flood control channel (0′29″)
        • Behind-the-scenes on the shooting of the tanker truck sliding on its side at the steel mill (0′28″)
        • Stembridge Gun Rental's weaponsmaster Harry Lu discusses the weaponry of "T2" (1′25″)
        • ILM's Steve Williams and visual effects supervisor Dennis Muren discuss building a digital puppet of the T-1000 (0′41″)
        • ILM's Mark Dippe, Steve Williams, Jay Riddle and Dennis Muren on animating the T-1000 character (0′53″)
        • ILM's Mark Dippe on putting the computer-generated T-1000 character into the scene (0′37″)
        • ILM's Steve Williams, Mark Dippe and Dennis Muren discuss doing the computer graphics shots (0′45″)
        • ILM's Dennis Muren and Steve Williams on working with writer/director James Cameron (0′27″)
        • Terminator effects and makeup creator Stan Winston on creating characters (1′38″)
        • Behind-the-scenes on the creation and shooting of the T-1000 shotgun hits (0′30″)
        • Behind-the-scenes on the creation and shooting of the T-1000 posing as John's foster mother Janelle Voight (0′31″)
        • Behind-the-scenes on the creation and shooting of the burning Sarah puppet for the nuclear nightmare (0′36″)
        • Behind-the-scenes on the creation and shooting of the Terminator walking puppet used in the Cyberdyne shootout (0′39″)
        • Behind-the-scenes on the creation and shooting of the T-1000 "donut-head" effect (0′26″)
        • Behind-the-scenes on the creation and shooting of the T-1000 "cleave-body" effect (0′27″)
        • Behind-the-scenes on the creation and shooting of the T-1000 "pretzel-man" effect (0′29″)
        • Fantasy II Film Effects VFX supervisor Gene Warren Jr. discusses the Future War sequence (0′51″)
        • Fantasy II's Gene Warren Jr. discusses the stop-motion endoskeleton process shot that took three months to complete (1′14″)
        • Fantasy II's Gene Warren Jr. discusses the creation and shooting of the miniature tanker truck (0′32″)
        • 4-Ward Productions' VFX supervisor Robert Skotak discusses the creation of the nuclear nightmare sequence (0′36″)
        • 4-Ward Productions' supervising DP Dennis Skotak discusses the radiating blast shot from the nuclear nightmare sequence (0′32″)
        • 4-Ward's Robert and Dennis Skotak discuss the miniature building shots from the nuclear nightmare sequence (1′31″)
        • 4-Ward's Robert Skotak on the miniature steel pour created for the steel mill sequence (0′29″)
        • 4-Ward's Dennis Skotak on shooting mercury for the reforming of the T-1000 at the steel mill (0′31″)
        • James Cameron, effects designer John Bruno and co-producer Stephanie Austin discuss the use of process photography in the film (1′02″)
        • James Cameron and film editors Conrad Buff, Mark Goldblatt and Richard Harris discuss the editing of "T2" (1′51″)
        • Multi-angle presentation of the dailies from the helicopter acquisition sequence, with subtitles for shooting dates and locations (2′31″)
        • The final helicopter acquisition sequence from the film, with subtitles to illustrate shooting dates and locations (1′00″)
        • Sound designer Gary Rydstrom on the sound design philosophy for the film (0′25″)
        • Multi-audio demonstration of sound effects layering for a single shotgun blast, with Gary Rydstrom commentary on an alternate audio channel (0′39″)
        • Sound designer Gary Rydstrom on sound effects editing (0′21″)
        • Multi-audio demonstration on the creation of "T2" sound effects, with final film audio on the main track and isolated sound effects on an alternate audio channel (0′51″)
        • Multi-audio sound layer demo for the steel mill fight, with ambience, foley, sound effects, music, final mix, and two Gary Rydstrom commentaries on alternate audio channels (1′11″)
        • Composer Brad Fiedel discusses the musical scoring of "T2" (1′57″)
        • Composer Brad Fiedel and music editor Allen Rosen discuss music mixing for the film (1′12″)
        • Demonstration of the video transfer process on "T2" for separate letterbox and full-frame (pan&scan) version from a Super-35 negative (1′01″)
        • James Cameron discusses the creation and validity of special editions (0′46″)
        • Omitted scene of the T-1000 searching John's room, with commentary by James Cameron and Robert Patrick on an alternate audio channel (1′24″)
        • Omitted scene of the original "Future Coda" ending, with commentary by James Cameron, Stephanie Austin, Stan Winston and Linda Hamilton on alternate audio channels (1′45″)
        • Brief montage of the "Terminator" fan convention held in Los Angeles just before the release of "T2" in 1991 (0′29″)
        • The polyglot Terminator (0′26″)
      • Tactical diagrams
        • Future War
        • Arrivals
        • Nightmare #1
        • Mall Battle
        • Canal Chase
        • The Voights
        • Hospital
        • Nightmare #2
        • Dyson's Death
        • Helicopter
        • Van Chase
        • Tanker Chase
        • T-1000 Reforms
        • Mill Fight
        • Two Sarahs
        • Molten Pit
        • Future Coda
      • Data Core
        • Core Data Sampling
        • Full Implementation

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